Event has already taken place. Experience composer Anders Hillborg's vibrating sounds with the Gothenburg Symphony, Pekka Kuusisto conductor and Ida Falk Winland soprano.
Concert length: 2 h incl. intermission
Stage: Stora salen
390-550 SEKStudent 195-275 SEK
Young up to 29 195-275 SEK
Anders Hillborg’s significance to Swedish classical music cannot be overstated. We now celebrate his imaginative world in a tribute concert. Conductor Pekka Kuusisto and soprano Ida Falk Winland create sounds that have the entire auditorium vibrating.
The beauty is in the details – which is particularly true when it comes to Anders Hillborg. From making music through mathematical systems, over the course of his 40-year career in music, has work has become increasingly intuitive and unpredictable. With compositions such as Liquid Marble, Peacock Tales, Sirens and the remarkable Sound Atlas – the world premiere of which was given by the Gothenburg Symphony Orchestra in 2022 – he is well-established among the international elite of the music scene. His 70 years anniversary is in 2024 and we are celebrating.
Anders Hillborg composed the song The Strand Settings as a commission for American opera star René Fleming – an indication of his magnitude. The work is based on four poems about longing and lamentation. “Hillborg’s melodic imagery appeals to the depths of the imagination,” wrote newspaper SvD. This time, Gothenburg’s favourite soprano, Ida Falk Winland, evokes these images within us. We also get to hear her in the song Kväll (Evening), written for Eva Dahlgren.
Hillborg’s greatness lies in constantly inventing timbres and sounds and letting them grow out of the symphonic mass. Collective movements always triumph over individual performance. In the work King Tide from 1999, which was commissioned by the Gothenburg Symphony, the orchestra creates a rising wave that grows higher and higher.
We also hear Through Lost Landscapes, which is built up by three saxophones and innovative bell sounds and percussion. Maybe we are on a remote island, in tropical forest where the bird-of-paradise is calling. It was premiered in 2020 and has not previously been performed in Gothenburg.
Step into a multidimensional world that creates unforgettable impressions.
Listen
Get to know the classical pieces:
Introduction to the concert
Take a seat in the Great Hall onehourbefore the concertbegins and learnmoreabout the musicyouwillsoonexperience! Youwill get the storiesbehind the music, knowledgeof the composers and ownreflectionsabout the classicalpieces. The introductionlast for about 30 minutes, it is free and freeseating in the hall. Welcome!
Programme
A meditation on time and water composed for the Gothenburg Symphony Orchestra's tour to China in 1999.
Through Lost Landscapes (2020)
Through Lost Landscapes is a joint commission from the Orquesta Sinfónica de Castilla y León, the BBC Symphony, Royal Stockholm Philharmonic, Minnesota and Helsinki Philharmonic Orchestras, and the first performance took place on February 7, 2020, in the Sala Sinfónica in Valladolid, with the Orquesta Sinfónica de Castilla y León conducted by Andrew Gourlay.
The piece opens with what must be the grandest yet of Hillborg’s clusters, supported with three huge chords, the third marked ‘Ecstatic’. That unleashes a hectic chase, a jazzy piano prominent in the texture. The texture begins to shimmer, with waves of colour from piano and celesta in particular. Another series of massive chords, linked by rolling melodic lines, suggests the image of the forest, with treetrunks of cathedral grandeur holding up a vast carpet of vegetation; a solo soprano saxophone emerges in a rare island of calm.
Another chase (an echo of the monkeys in Koechlin’s symphonic poem Les bandar-log?) initiates a never-ending downwards glissando, initiating the idea that will underlie most of the rest of the piece. A series of woodwind patterns suggests some treetop activity, an idea that becomes hard to resist when, two pages later in the score, Hillborg marks them as ‘imitating bird calls’. (Whether by accident or design, these calls sound very like those of the Greater Bird-of-Paradise, Paradisaea apoda.)
Under the cover of another glissando, the bird calls are transformed into a swift pulse, but it soon falls silent, leaving room for another passage of noisy bird calls. The shimmering waves of piano and celesta return, slowing down to allow another grandiose chord to envelope the orchestra. The Birds-of-Paradise are heard again, twice, and the music sinks gently to rest.
Martin Anderson
The Strand Settings (2013)
Black Sea
Dark Harbor XX
Dark Harbor XXXV
Dark Harbor XI
Author Mark Strand grew up in the United States and in Central and South America. Recurring themes in his often elegiac poetry are loneliness, absence and the search for identity in a passionate world. Strand initially intended to become a painter, and so his poems often contain a strong element of visual imagery. It is noticeable in the selection that Anders Hillborg made, when the singer Renée Fleming (to whom the work is dedicated) commissioned him to create this beautiful song cycle. Hillborg writes for a large orchestra, but uses it to weave a magic carpet that constantly supports the vocal line.
In the first song, 'Black Sea', taken from Strand's 2008 collection Man and Camel, the strings evoke the vastness of space as the singer contemplates the sky and the sea. The other three texts are taken from Strand's Dark Harbor, a large poem published in 1993 and built up – almost like a set of variations on a musical theme – from 45 shorter poems, each consisting of three-line stanzas.
'Dark Harbor XX' follows the attacca on the first song; brass and woodwinds introduce a dark and dramatic note that immediately evaporates but returns with occasional hints of malevolence.
Intermission25 min
A song Anders Hillborg wrote together with Eva Dahlgren for her album "Jag vill se min älskade komma från det vilda" in 1995. Esa-Pekka Salonen conducted the Radio Symphony Orchestra. It also became a legendary live performance in Berwaldhallen, where Esa-Pekka was the orchestra's leader.
Bach Materia (2017)
A few years ago, Gregor Zubicky, artistic director of the Swedish Chamber Orchestra, created the Brandenburg project. Six composers - Brett Dean, Mark-Anthony Turnage, Olga Neuwirth, Steven Mackey, Uri Caine and I were asked to compose accompaniments for Bach's Brandenburg Concertos, and I was assigned No. 3.
Bach Materia is written for violin solo and string orchestra with the Finnish violinist Pekka Kuusisto in mind - a unique musician for whom improvisation is a natural ingredient in his performances, therefore improvisation is an important part of this composition. In the material of my work there is also music from Bach's concert, as well as music written in his spirit, and my own. There are 3 sections where the soloist is given carte blanche to do whatever he/she wants.
At the request of the conductor Thomas Dausgaard, who premiered the work, I also composed a 2nd movement for Bach's own Brandenburg Concerto 3, since none exists. A variation of that material is also in my own work.
Bach Materia is warmly dedicated to Pekka Kuusisto.
Anders Hillborg, July 2017
The title alludes to the fact that the piece is constructed of eleven sections and to the imaginary gates that one passes through - either abruptly or seamlessly - in moving from one to another. I entertained myself by giving each section a title, describing in a more or less surrealistic way what’s going on:
1. Drifting into D major - precisely what the title suggest, the music drifts from a cluster into a majestic D major chord.
2. Suddenly in the Room with Chattering Mirrors - a somewhat more surrealistic description of what’s going on.
3. D major Still Life - again, precisely what’s happening.
4. Confused Dialogues with Woodpecker - a strange meeting between Webern’s Piano Variations op. 27 and a Donald Duck Cartoon
5. Suddenly in the Room with Floating Mirrors - a surreal image
6. Into the Great Wide Open - the dynamic climax of the piece with the full orchestra suggesting endless, open vistas.
7. Meadow of Sadsongs - the Oboe’s soar in a cantilena full of sadness.
8. Toypianos on the Surface of the Sea - another surreal description of the music
9. String Quartet spiraling to the Seafloor - I find this image very captivating, the string quartet slowly sinks down to the
10. Seafloor Meditation
11. Waves, Pulse and Elastic Seabirds - a pretty exact description of what’s happening.
Eleven Gates is commissioned by the Los Angeles Philharmonic. It was premiered in Walt Disney Hall, LA, in May 2006, conducted by Esa-Pekka Salonen, to whom the work is warmly dedicated.
Thursday, 28 November 2024: The event ends at approx. 21.30
Participants
The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Göteborgs Konserthus, the funk gem at Götaplatsen that has gathered music lovers since 1935. Since the 2017-2018 season, Santtu-Matias Rouvali has been Chief conductor of the Gothenburg Symphony. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers.
Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra.
In recent decades, the orchestra has had prominent chief conductors such as Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region.
The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.
Violinist Pekka Kuusisto is known for his artistic freedom and innovative approach to repertoire. He is the artistic director of the Norwegian Chamber Orchestra and, since 2023, principal guest conductor and artistic partner of the Helsinki Philharmonic. He is also a partner with the Deutsche Kammerphilharmonie Bremen.
From season 2025-2026 he will be Principal Guest Conductor of the Gothenburg Symphony Orchestra.
In the 2023-2024 season, Kuusisto appeared as a violinist with the Mahler Chamber Orchestra, the Leipzig Gewandhaus Orchestra, the San Francisco Symphony, the Los Angeles Philharmonic, the NHK Symphony Orchestra Tokyo and the Boston Symphony Orchestra. He appeared as guest conductor with the Deutsches Symphonie-Orchester Berlin, Tokyo Metropolitan Symphony Orchestra, Gothenburg Symphony Orchestra, Scottish Chamber Orchestra, Swedish Chamber Orchestra and Orchester de chambre de Paris. Under the name Council, he toured North America and Australia with singer-songwriter Gabriel Kahane.
In the 2022-2023 season, Kuusisto made his debut with the Berliner Philharmoniker and returned to orchestras such as The Cleveland Orchestra, the San Francisco and Cincinnati Symphony Orchestras, the Gürzenich-Orchester Köln and the Mahler Chamber Orchestra. Kuusisto gets involved across the entire artistic spectrum. He has collaborated with musicians such as Hauschka & Kosminen, Dutch neurologist Erik Scherder, electro pioneer Brian Crabtree, jazz trumpeter Arve Henriksen, juggler Jay Gilligan, accordionist Dermot Dunne and folk artist Sam Amidon.
In 2023, Kuusisto released an album for BIS as conductor in Jaakko Kuusisto's symphony, and one for Alba as violinist with Malin Broman and the Ostrobothnian Chamber Orchestra with works by Tarrodi, Byström, Larsson and Zinovjev.
Pekka Kuusisto plays an Antonio Stradivarius Golden Period c.1709 'Scotta' on a generous loan.
Ida Falk Winland is associated with the Gothenburg Opera since 2014. She has sung Donna Anna in Don Giovanni, Gilda in Rigoletto, Mimì in La bohème, Ilia in Idomeneo, Adalgisa in Norma, Morgana in Alcina, Cleopatra in Julius Caesar, Rosina in The Barber of Seville, the Countess and Susanna in The Marriage of Figaro, Nedda in Pajazzo and Beate Bella Bravura in Julglitter and Operakaos. In recent seasons, Ida Falk Winland has been a guest at the Glyndebourne Festival in the role of Fiordiligi in Così fan tutte and at the Royal Opera, where she sang Violetta in La Traviata and Gilda in Rigoletto.
Furthermore, she has done Così fan tutte at the Opéra National de Paris, The Magic Flute and Xerxes at the Royal Opera and Peter Grimes at the Teatro alla Scala in Milan. She has also appeared at the Helsinki Festival, Opéra National de Lorraine, Covent Garden and at the Internationale Händel–Festspiele in Göttingen.
In 2018, Ida Falk Winland was the winner of the Opera Prize for her performance as Adalgisa in GöteborgsOperan's production of Norma, a prize that was voted for by magazine Opera's readers. In the spring of 2024, Falk Winland returned to the Royal Opera in the role of Violetta and appeared in concerts with the Swedish Radio Symphony Orchestra in Berwaldhallen.
On cd Ida Falk Winland can be heard in Bach's Mass in B minor under the direction of Jonathan Cohen (Hyperion Records), Haydn's Creation with Philipp von Steinaecker (Fra Bernardo) and on a solo cd where she performs songs by Copland, Nystroem and Richard Strauss. She is educated at the Royal College of Music and the National Opera Studio in London.
Violinist Pekka Kuusisto is known for his artistic freedom and innovative approach to repertoire. He is the artistic director of the Norwegian Chamber Orchestra and, since 2023, principal guest conductor and artistic partner of the Helsinki Philharmonic. He is also a partner with the Deutsche Kammerphilharmonie Bremen.
From season 2025-2026 he will be Principal Guest Conductor of the Gothenburg Symphony Orchestra.
In the 2023-2024 season, Kuusisto appeared as a violinist with the Mahler Chamber Orchestra, the Leipzig Gewandhaus Orchestra, the San Francisco Symphony, the Los Angeles Philharmonic, the NHK Symphony Orchestra Tokyo and the Boston Symphony Orchestra. He appeared as guest conductor with the Deutsches Symphonie-Orchester Berlin, Tokyo Metropolitan Symphony Orchestra, Gothenburg Symphony Orchestra, Scottish Chamber Orchestra, Swedish Chamber Orchestra and Orchester de chambre de Paris. Under the name Council, he toured North America and Australia with singer-songwriter Gabriel Kahane.
In the 2022-2023 season, Kuusisto made his debut with the Berliner Philharmoniker and returned to orchestras such as The Cleveland Orchestra, the San Francisco and Cincinnati Symphony Orchestras, the Gürzenich-Orchester Köln and the Mahler Chamber Orchestra. Kuusisto gets involved across the entire artistic spectrum. He has collaborated with musicians such as Hauschka & Kosminen, Dutch neurologist Erik Scherder, electro pioneer Brian Crabtree, jazz trumpeter Arve Henriksen, juggler Jay Gilligan, accordionist Dermot Dunne and folk artist Sam Amidon.
In 2023, Kuusisto released an album for BIS as conductor in Jaakko Kuusisto's symphony, and one for Alba as violinist with Malin Broman and the Ostrobothnian Chamber Orchestra with works by Tarrodi, Byström, Larsson and Zinovjev.
Pekka Kuusisto plays an Antonio Stradivarius Golden Period c.1709 'Scotta' on a generous loan.